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- Professor Anna McMullan - Department of Film, Theatre and Television - University of Reading
- Guest Tutors | Acting
- Contemporary Theatre, Film & Television Series
Lecture, three hours; studio, six hours. Exploration of visual interpretation of drama. Study of styles and techniques of design, collaborative role of designer, principles of design for scenery, lighting, costumes, and sound. Both technical and aesthetic groundwork for further study. Investigation of role of director in theatrical production and theories of play direction, with emphasis on analysis and interpretation of dramatic work and its realization in production. Seminar, one hour.
Discussion of and critical thinking about topics of current intellectual importance, taught by faculty members in their areas of expertise and illuminating many paths of discovery at UCLA. Introduction to interpretation of drama through art of actor. Development of individual insights, skills, and disciplines in presentation of dramatic material to audiences.
Development and practice in acting techniques. Preparation and taping of scenes for analysis. Studio, three to four hours.
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Introduction to reading and understanding musical notation, musical terminology, and basic to complex rhythm-reading and sight-singing in C major. Study of basic vocal technique for actor, with emphasis on resonance, range, power, and development of physiological foundation for subsequent training.
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Requisite: course 24A. Development of voice and speech techniques for stage. Formerly numbered 25A. Study of basic kinesiology principles of body in performance. Includes strategies of movement initiation and organization, as well as performance of movement scores to support actor's craft.
Studio, three hours. Study and practice in Alexander techniques as method of developing balance, poise, and coordination of body and mind. Exploration of use of rhythm to expand movement potential of actors and relevant use of visual arts and animal studies to character development and to expansion of movement potential. Studio, three to six hours. Study of beginning acting technique, scene study, and development of voice and movement skills. May be repeated for maximum of 12 units. Studio, six hours. Intended for Theater minors and other nonmajors.
Exploration and development of creative writing skills for one or more of various forms of entertainment media. May be repeated once.
Studio, five hours. Development of dance and movement techniques for musical theater. Studio, four to five hours. Exploration of musical literacy and development of singing techniques for musical theater. Basic voice training to explore how voice works, learn to maintain appropriate and consistent voice, and learn to preserve voice health. How to build stamina and range. Laboratory, three to six hours. Laboratory experience in various aspects of theater production, including stage management or member of production crew.
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May be repeated for maximum of 8 units. Exploration and laboratory experience in one or more of various aspects of production and postproduction practice for entertainment media, including theater, film, video, and digital media. May be taken for maximum of 8 units.
Seminar, three hours. Limited to 20 students. Designed as adjunct to lower-division lecture course. Exploration of topics in greater depth through supplemental readings, papers, or other activities and led by lecture course instructor. May be applied toward honors credit for eligible students.
Honors content noted on transcript. Tutorial, six to 12 hours. Internship at various theaters, studios, or entertainment organizations accentuating creative contributions, organization, and work of professionals in various specialties. Students meet on regular basis with faculty member and provide periodic reports of experience.
Professor Anna McMullan - Department of Film, Theatre and Television - University of Reading
May be taken for maximum of 4 units. Individual contract with supervising faculty member required.
Requisite: satisfaction of Entry-Level Writing requirement. Study of contemporary South African culture in context of its social and political history. Analysis of literature, theatre, film, sports, and faith as artifacts that illuminate dynamic and diverse factors that characterize South Africa today. Tutorial supervised research or other scholarly work , three hours per week per unit. Entry-level research for lower-division students under guidance of faculty mentor.
Students must be in good academic standing and enrolled in minimum of 12 units excluding this course.
Guest Tutors | Acting
Individual contract required; consult Undergraduate Research Center. May be repeated. Lecture, three hours; discussion, one hour. Introduction to histories of theater and performance from across world, with emphasis on ancient world through 18th century. Introduction to global aesthetic theories and historiographical research methods.creasemthene.cf
Contemporary Theatre, Film & Television Series
Introduction to histories and historiographies of theater and performance from across world, with emphasis from 18th century through 21st century. Introduction to representational modalities from melodrama to performance art and theoretical approaches from Marxism to poststructuralism. Exploration of major theater traditions of Japan from emergence of earliest theatrical activity to present, including investigation of Noh, Bunraku, and Kabuki performance traditions. Exploration of interculturalism in theater, with focus on 20th-century alternatives to naturalism.
Analysis of historical materials and dramatic texts to investigate cultural, aesthetic, ethical, and social implications of borrowing from other cultures. Exploration of extant materials on history and literature of theater as developed and performed by African American artists in America from slavery to mids. Exploration of extant materials on history and literature of theater as developed and performed by African American artists in America from minstrel stage to rise of American musical.
Exploration of development of Chicano theater from its beginning in legends and rituals of ancient Mexico to work of Luis Valdez late s. Analysis and discussion of historical and political events from to , as well as theatrical traditions that led to emergence of Chicano theater. Survey and examination of African American plays from s until birth of modern civil rights era.